Re: [CR]Holdsworth colors - precise touchup color-matching at home

(Example: Framebuilders:Pino Morroni)

Date: Fri, 02 Feb 2007 09:08:25 -0500
From: "gabriel l romeu" <romeug@comcast.net>
To: Donald Gillies <gillies@cs.ubc.ca>
Subject: Re: [CR]Holdsworth colors - precise touchup color-matching at home
References: <200702020454.l124s3T1027388@cascade.cs.ubc.ca>
In-Reply-To: <200702020454.l124s3T1027388@cascade.cs.ubc.ca>
cc: classicrendezvous@bikelist.org

I could go through a critique of this process with considering issues of monitor and printer color calibrations, but I admire our contemporary 'Itten' (him with Albers were the color theorists of the Bauhaus and codified color systems) for putting so much effort into this system- i cannot help but be in awe.

What Don neglected to tell you is that through all his iterations of working this 'system' through is that he developed a sensitivity to seeing which also can be acquired with many years of painting or study. It really makes for some interesting ways of seeing/analyzing color and worth the research. acrylic dries from 10-15 percent darker than what it looks like wet.
> The best part about this system is it gives you the formula for a
> match when the paints are DRY. I tried at least 4 times to mix up
> Carlton blue but enamels change color A LOT when they dry out.

--
gabriel l romeu
snowy chesterfield new jersey usa
± http://studiofurniture.com Ø http://journalphoto.org ±